![]() ![]() In so doing, he shines a light on the often hidden dimensions of the play such as the role of money in gender oppression and submission the trivial quality of dialogue lurking behind much flowery, romantic speech how, for its own entertainment, an entire social class – the bourgeoisie of the Second Empire in France – invented a diabolical machine for commercializing the female body and simultaneously promoting the moralization of sexual behavior. ![]() ![]() Arthur Nauzyciel stages Camille / La Dame aux camélias without a hint of pathos, indeed with severity, in an undefined space between Truth and Lie, Reality and Illusion. It is a story haunted by what was and what could have been. This is the story of a tragic love affair between a young bourgeois gentleman, Armand Duval and a courtesan, Marguerite Gautier, whose beauty holds him in thrall. ![]()
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